A Writer's Process: Penny Asquith Evans

I can’t say, hand on heart, that writing is always a complete joy for me.

I persevere through very dark days with Morning Pages, practically screaming with frustration at how long it can take to write three meagre, miserable pages of meaningless drivel.

But then there are those blissful days of flow. When your writing transports you to another time and place. Your hand can’t keep up with the outpouring of words, turning, twisting and tumbling over one another to be heard, diving onto the page with the force of a waterfall crashing into the valley below.

It isn’t necessarily easy to work out how to get into that state of flow, although, for me, it helps to have a definite end-point in mind.

Most recently, this was an article about ‘being brave’ for a travel writing competition.

The particular time and place was easy to choose, and I knew how to relate my story to the brief. All I had to do after that was write the thousand words! I dabbled for days on end, making notes, writing, re-writing, and abandoning an opening sentence artlessly designed to grab the reader’s attention. I went for long, solitary walks, muttering endlessly to myself as I tried to coax the article into being.

With only two days left until the submission deadline and nothing to show for my efforts, in desperation I took myself off into the countryside, and set up a makeshift writing desk on my favourite picnic table, next to a fast-flowing stream in the heart of the Derbyshire Dales.

I closed my eyes, and listened to the sound of the water rippling over stones, catching the occasional ‘plink’ of a fish leaping out of the water in pursuit of a fly. Soothed by the sound of the wind rustling in the trees, and the feel of the breeze catching an errant strand of hair, it became easy to take myself back to my big, brave adventure. Suddenly, I was back in Yosemite, climbing up the steep, rocky path to Vernal Falls, bathing in a rainbow of spray.

Words gushed out in a torrent; sights, sounds, smells all as fresh in my mind as the day I had been there, and as my mind wandered through the memories, the emotions came back with vivid clarity as well.

The article pretty much wrote itself after that, and though it didn’t win any prizes, for me, it was probably the most authentic piece of writing I had ever done, and I was immensely proud of that. 

On Emotion

The Wild Words Retreat. Photographed by Peter Reid. 

The Wild Words Retreat. Photographed by Peter Reid. 

Emotion is common to us all. It’s basic to our experience of being a human animal.

Reading or listening to stories imbued with emotion stimulates much more of the brain than reading an emotionless account would do. The empathy areas light up, and oxytocin, a chemical related to feelings of love and trust, is released.
 
When our words are imbued with emotion, for both the storyteller, and the listener or reader, it’s like having the wild animal very close, breathing down our neck.
 
These wild words hook the reader. The power and the passion within them sweeps us along, all the way to the end of the story. There is nothing tame about these words, nothing predictable. They live in extremis. One moment the receiver is roused to laughter and joy, the next they are devastated by tragedy. Hooked by emotion, they journey with the narrator/lead character. It’s quite a trip.
 
Rachel Shirley gives a relevant example of how to work with emotion on the page. She explains that you could write,
 
She waited by the door. She felt so frightened, she thought she would begin to panic.
 
However, it would be stronger to write,
 
She waited by the door. Her heartbeat thrummed against her ribcage, her mouth tasted like iron and her breaths hitched in her throat.
 
Although wild words are infused with emotion, as you’ll have noticed in the above example, the emotion is often not named on the page.

Instead the experience of feeling emotion in the body, which is actually the experience of the intensifying of bodily sensations, is described. As these experiences are common to all of us, we know exactly what emotion is being experienced, even if it’s not named. Indeed, it’s more impactful for not being named.
 
Below is a wonderful (if stomach turning) example of how to work with emotion on the page, from Ian Fleming’s ‘Casino Royal’. Le Chiffre is torturing Bond. Notice how the emotions are never named, but there is attention to the detail of bodily sensations.
 
Bond's whole body arched in an involuntary spasm. His face contracted in a soundless scream and his lips drew right away from his teeth. At the same time his head flew back with a jerk showing the taut sinews of his neck. For an instant, muscles stood out in knots all over his body and his toes and fingers clenched until they were quite white. Then his body sagged and perspiration started to bead all over his body. He uttered a deep groan.

 

Making NaNoWriMo Work For You

November is National Novel Writing Month. 

I applaud that project, and any writer who steps out over the parapet to take part in it. When you commit to the daily word count, it won’t only be others who await the results you’ve promised. You’ll also be setting up high expectations for yourself. The pressure will be on.

For some writers, at some times in their lives, it’s just what they need. NaMoWriMo is a virtual community, where the peer network can guide and inspire superbly. 

But for other writers, this headline of a month can exacerbate what we tend to do anyway as human animals, and human-animal-writers, which is to set unrealistic goals for ourselves that we then fail to achieve. 

This is a dangerous pattern for a writer because once we’ve failed to achieve a goal, it is evenmore difficult to achieve it next time.  We can end up spiraling down into a vortex of unfinished projects and decreasing confidence.

What we need to do this NaNoWriMo is set ourselves up to succeed not fail. We want to create a virtuous circle, not a vicious one. To do this, it’s imperative that we set realistic goals with regards to how many words we can write each day, given our other life commitments. It’s often better to complete a shorter project than half-finish the next War and Peace. 

Underestimate, rather than overestimate.

Even if you write only ten words of a poem a day, or manage to spend 15 minutes in your private writing space, if that fulfills your intention, you’ll feel satisfied. As writers we need to stop beating ourselves up about what we don’t achieve, and notice how much we do achieve.

Applaud your own efforts this NaNoWriMo.

 

Good luck! 

Competition Winning Story: Leaves

By Alice Penfold

She was a leaf. Weathered from the stormy nights, when the evening exhaled its shadowy smokes and clouded the light into sleeplessly lying, she felt herself fragmenting. Like a commuter carriage, crying for extra space, her own branch was overcrowded; each being jostled to stay rooted. Stemming from her withering spine, yellowing wrinkles were beginning to spread across her paper-thin skin - tea-dipped, discoloured from dry routines.

Time had continued to pick at her skin. Her once smooth hues of blushing emerald were jaded, now, worn down by the relentless demands of raining hail, shouting down onto her exposed flesh and leave her no choice but to stay the clinging victim, with no power to overthrow the self-appointed dominance of the sky’s ever-replenishing army.

Of course, she knew, too, to look for the glowing moments that had passed during the rolling days. The summer week when a gentle gust had embraced her and her fellow passengers, a breeze that helped her breath as the yellowing light lay glimmering on her resting self. Although she had been grown to reside alone, she had found herself waving, for no reason except the affecting season, at those delicate souls that shared her space, who had been thrown by the thundery hands of fate to take a similar route to her own.

She had to take her leave, soon, as the wind wound through the thinning air and the tug of moving on became too strong. It was a fallacy, she knew, to think she could choose when the crossroads of her next step would come. Stoned by one stormy encounter – not from firing above, this time, but by a rocky rebellion below – she was made redundant, her stem splintered near completely from its grip on her tree’s outstretching arm. A merciless creature, dressed in leather boots and armoured in a buttoned up coat, had screechingly raised a rough-edged rock above its squealing head, and thrown, thoughtlessly, towards her shaking place of residence. Having stampeded to pieces the peace of the ending autumn bodies below, it was only natural that this creature would find more victims. As the boulder bombed through her fragile frame, she realised in an instant that she would have no choice but to let go. Like a trying toddler gripping to the reaching bars of a climbing frame, her own joints already weakened over repetitive efforts to stay on the known road, she knew her next path was coming. This wasn’t a place that she could cling to forever. Despite the ever-going, ever-growing weeks that she had been wishing for a natural break in the cycle of her clouded days, the harsh reality of choice still left her frozen.

Drops continued to descend. Weighed by polluting pellets bulleted from the smudged skies above, she was soon to lose her grip. Yet the expected route – the fall to the crunching floor at the base of the trunk – was, to her, simply not an option. Layered in spongey tiers, iced with winter’s whitening chill, previous leaves lay in infinite wait, forgotten in their likeness; they each added to the padding under frantic feet and heavy heels. She knew the well-worn path would keep her too downtrodden.

It was an unexpected ray, piercing through the defensive skin of the leafy barriers above, which made her see a less predictable path. To her right, fighting the biting attacks of the unrelenting gales, clung another, his stem half-torn from the stability of a separate branch, a metre or so below. She could not say for certain, but if it had not been for the sun’s brief triumph over the smoky smudge of haze that suffocated her surroundings, she did not think she would have spotted him.

Waving, she leant forward, slightly, letting the breeze catch and bring her to his attention. They connected.

As the hazy cloud consumed the final desperate daylight hours, she knew that time was flowing too quickly away, like sand spilling through the gaps of a broken sieve. The wind switched direction, taunting its paper-thin victims, the rain washing away each leaf’s vibrancy; a howling chill ripped through the swelling vein on her left side, leaving her stomata sweating for breath. Now, then, was the moment to go. Taking a deep breath, she let her stem loosen its grip on the spindling twig to which she had been clinging for too many identical hours and felt herself snatched by the unstopping storm. She was wading through treacle, every step forward stealing the air from her frailing frame. With perseverance against nature’s forces, though, she changed her direction just a fraction, in order to pass by the one leaf who had caught her sight from so far away. Her shimmering edges brushed past him and she embraced the tingle of his touch that, for too long, her lonely routine had forbidden her from feeling.

He felt it too, they knew. Soon, whilst the grey-smudged skies were increasingly subsumed into unseeing obscurity, he found the strength, too, to loosen his desperate hold on the bark below. He wrapped his being around her crumpling skin, the tiny hairs of her skin stroked by his midrib and margins. They twisted as one through the attacking shadows, fighting away the bulleting rains and grip of ever-going gusts. Together, too, they mustered the strength to plough through the night and to reach the spot that few fellows had been able to reach before. It was a quieter patch – the challenges to reach it leaving it far less travelled – by the edge of a trickling river. They rolled down towards the earth – like footstepping down each rung on a rickety ladder, their certainty of success increased as they approached, hearing the twinkling notes of the water chime against the rocks underneath. There, they settled, letting their pores drink and their bodies stretch along the cool pebbley surface, sheltered from the wind’s ferocity by the protective arms of the stream’s largest evergreen. Their union, they knew, had made all the difference.

Summer Solstice Writing Competition Winner: Alice Penfold

Alice Penfold. Winner of the Wild Words Summer Solstice Writing Competition 2016

Alice Penfold. Winner of the Wild Words Summer Solstice Writing Competition 2016

I am delighted to have won the summer Wild Words writing competition!

I have always loved creative writing, particularly thinking about how to write different perspectives and how the same characters or settings can be seen in such different ways, depending on the subjectivity of the viewer. In addition, the power that words have to be interpreted in multiple ways has always been at the heart of my writing.

It was whilst reflecting on the impact of homonyms in writing that I was inspired to write ‘Leaves’, a piece drawing on its meaning as both a noun and a verb. I wanted to write an abstract piece reflecting the challenges that change and leaving things behind can bring.

To create my story, I combined my love of word play with my passion for writing in the natural environment.

For me, nature and in particular, a keen and active observation of the world around us – its colours, its details, its changes – can provide the basis of such a range of writing.

Robert Frost’s poem, ‘The Road Not Taken’, has always been a favourite of mine, and I wanted to draw out its ambiguity as both a poem of hope and uncertainty in my writing today.

I took the poem and some blank paper to my local park, to observe the falling leaves in detail and consider the metaphorical implications that I could draw on and describe.

I am feeling even more re-inspired to create further stories – and to frequent more parks with nothing but an inspirational poem and blank sheet.